Biverb

Biverb boasts two independent reverb units, each offering a wide range of meticulously crafted algorithms, including Spring, Room, Plate, Chamber, Hall, and Shimmer. This allows you to blend and layer different reverb textures to achieve complex and evolving soundscapes.

The unique power behind Biverb is in the way they split the signals, which can then be processed separately or in different combinations. The signal is distributed to the two reverb units based on a crossover, which can be set to Frequency, Volume, Stereo, or Mid/Side. This gives you precise control over how the reverb interacts with different elements of your mix.

Mid/Side processing is simply a different way to process a stereo audio file and is commonly used in EQs and compressors. Instead of processing the left and right, you split the signal into the centre (mid) and the right and left (sides). That way, you can focus on different parts of your mix or audio file and apply different processes to different areas. It’s almost impossible to find a reverb that can do it.

Left/Right splits the signal more traditionally into left and right channels, so you can apply one type of reverb to the left channel and one to the right. This mode is a great way to get extreme effects at the outer edges of your mix or just gentle reverbs working within your side channels.

Biverb can also split the audio at a certain loudness (set by the Crossover dial) so the reverb processors work on both quieter or louder parts of your audio. Like the previous modes, they do this completely independently, so you can have different reverb on the loud parts as you do the quiet. Again, this is a unique feature for any reverb plugin.

Low/High is another powerful option. Here, Biverb allows you to process different frequency ranges set around an adjustable frequency set by the Crossover dial. Again, apply different reverbs to your low frequencies and different ones to your high for totally flexible reverb processing!

Each reverb also has its own Modulation section, which can make the sound even more enjoyable. Sometimes, the difference between the two reverbs is a subtle change in dispersion, another time you may want the mids without modulation and sides with an effect. Imagine a reverb which can do that.

Both reverbs also have their independent duckers. The Ducking function is designed to help the clean signal push through and not lose punch and attack. When used, it automatically lowers the wet signal level whenever a new dry signal comes to the plugin input.

No iLok, no dongle, or internet access is required for activation. Our software uses license files to activate your software. You can freely use the purchased software on all your computers as long as you are the user.

All the descriptions are nothing compared to putting your hands on the plugin. No saving limits. No noises. No boundaries. Engage the plugin in your project for real and fully exploit its powers for two weeks.

The plugin provides the maximum audio quality you can get. It uses internal 64-bit audio processing and can handle any sampling rate. 192 kHz or even higher.

The intelligent way our plugins manage bypassing ensures that you don't get any clicks or harmful noises when automating the parameter. It also compensates for latency, ensuring that the bypass states are perfectly in sync with each other.

This plugin intelligently detects whether it makes sense to perform processing at all. If not, it temporarily turns on sleep mode. In such a state, it requires virtually no CPU at all to save the computing sources for other processes.

Our plugins never become obsolete. We keep track of the current operating systems and DAWs. You may always update to the most recent version for free, without paying a cent, a penny, or whatever currency you prefer.